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and the Department of Drama in the team up with New York City-based to put an acrobatic spin on the beloved family favorite “The Wizard of Oz.” Based on the original novel by L. Frank Baum and the 1939 MGM motion picture, this stage adaptation contains the familiar characters and popular songs, such as “Over the Rainbow” and “We’re Off to See the Wizard (Follow the Yellow Brick Road).” The production opens Dec. 1 in the Archbold Theatre at the ���ϲ����� Stage/SU Drama Complex, 820 E. Genesee St. Preview performances are Nov. 29 and Nov. 30.

As in previous seasons, the curtain time for weeknight performances has moved to 7 p.m. to accommodate families and younger audience members.

���ϲ����� Stage will also host a special sensory-friendly performance on Saturday, Dec. 30, at 3 p.m. that is welcoming to individuals who are on the autism spectrum or with sensory sensitivities and their families. Special accommodations will include lowered sound levels, reduced stage lighting and increased lighting in the theater to allow for easier movement. For this performance only, all tickets are $25 and include a 100-percent refund right up to the start of the show if needed.

The ���ϲ����� Stage production of “The Wizard of Oz” features the original music and lyrics from Harold Arlen and E.Y. Harbug and background music by Herbert Stothart. Dorothy’s journey down a yellow brick road will be choreographed by 2 Ring Circus using a cirque-like style called storytelling circus. The role of circus in this production isn’t to distract, but as with more traditional choreography, it will be incorporated directly into the narrative.

2 Ring Circus founding members Ben Franklin and Joshua Dean already have a strong friendship with director Donna Drake, whose credits include the original company of “A Chorus Line” on Broadway. Franklin and Dean met Drake at the Seaside Music Theater in Daytona Beach, Florida, about 15 years ago.

“My friendship with the wonderful Ben Franklin began when he was very young,” says Drake. “He had just gotten out of college and was an intern at Seaside, where I was directing and choreographing. From there, Ben and I worked on many, many shows together. It was during the production of ‘Aida’ at Seaside that I met Josh and hired him for his aerial abilities.”

Years later, Drake, Franklin and Dean put together a circus version of “Godspell” at the Arkansas Repertory Theater. Then artistic director Bob Hupp hired 2 Ring to work on “Godspell” before transitioning to ���ϲ����� Stage.

“When ‘Godspell’ ran down there (Arkansas) it was overwhelmingly successful,” says Drake. “We rewrote it and turned it into a show taking place in a circus tent. When Bob left for ���ϲ�����, he reached out and asked us if we could add circus elements to a ���ϲ����� Stage production of ‘The Wizard of Oz.’ I jumped to the idea because circus is so innovative and sensational.”

A few circus highlights in the “The Wizard of Oz” involve Glinda as a trapeze artist, played by 2 Ring member and Department of Drama alumna Lani Corson, and Franklin spinning 28 hula hoops at once while stilt walking.

“Specifically with ‘Oz,’ we’re looking at the type of circus and kind of style (Dorothy) would have seen had she gone to the world’s fair around the turn of the 19^th to 20^th century, “ said Corson. “We’re trying to be true to the time period and to the style of what she would have seen and then imagine from there.”

Drake explains there will be no changes to the original story from the 1939 film in this production, just slight alterations to add circus elements.

“I’m focusing a lot on Dorothy’s story and her journey,” says Drake. “Some of the features in this show will have a lot of aerial arts, but I’m not changing the story at all because ‘The Wizard of Oz’ is so iconic.”

A strong sense of collaboration among the design and production team has made Drake confident audiences will relish ���ϲ����� Stage’s production.

“I rely heavily on my designers and the people associated with this production who are top of the line,” says Drake. “I would not be able to do this show if it weren’t for them.”

Tickets are now available at , by phone at 315.443.3275 and in person at the box office.