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Health & Society

Black Feminist Trio to Headline 黑料不打烊 Symposium Keynote Event Nov. 27

Wednesday, November 15, 2017, By Rob Enslin
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speakers黑料不打烊 Symposium

聽continues its yearlong look at 鈥淏elonging鈥 with a keynote event featuring a trio of acclaimed Black feminist scholars.

Cole, Giddings, Guy-Sheftall

Johnnetta Betsch Cole, Paula J. Giddings and Beverly Guy-Sheftall, from left

On Monday, Nov. 27, Johnnetta Betsch Cole, Paula J. Giddings and Beverly Guy-Sheftall will convene a dialogue titled 鈥溾 from 6-7:30 p.m. in the Joyce Hergenhan Auditorium, 140 Newhouse 3.

Free and open to the public, the program will conclude with a reception and book sale. American Sign Language interpretation is provided. For more information, contact the 黑料不打烊 Humanities Center in the (A&S) at 315.443.7192, or visit聽.

Each presenter is a distinguished educator, scholar, activist and administrator.聽鈥攄irector emerita of the Smithsonian Institution鈥檚 National Museum of African Art and former president of Spelman and Bennett colleges鈥攊s a senior consulting fellow of the Andrew W. Mellon Foundation and a principal consultant with Cook Ross.

聽is the Elizabeth A. Woodson 1922 Professor Emerita of Africana Studies at Smith College.

聽is on the faculty of Spelman, where she is the Anna Julia Cooper Professor of Women鈥檚 Studies and founding director of the Women鈥檚 Research and Resource Center (WRRC).

鈥淲e are honored to welcome these luminaries for a conversation about combating injustice and creating change,鈥 says co-organizer Vivian May, director of the Humanities Center and professor of women鈥檚 and gender studies in A&S. 鈥淎ll three are remarkable intellectuals whose generous leadership, meticulous research and deep commitment to collaboration and instituting change have transformed the scholarly landscape.鈥

May credits members of the trio, individually and collectively, for documenting a 鈥渓ong and robust Black feminist intellectual tradition,” and she underscores how their 鈥渄eeply felt collaborations鈥 have impacted many.

鈥淎s a community, we are fortunate to engage with all three visionaries together,鈥 she continues. 鈥淭hey will draw on their collective expertise and shared commitments to show how 鈥榣essons鈥 from Black feminist histories affect personal, institutional and political change.鈥

The event is co-presented by the Maxwell School of Citizenship and Public Affairs, with a generous gift from University Trustee Christine Larsen G鈥84, and by the new Universitywide Council on Diversity and Inclusion (CDI).

Vivian May, Carol Faulkner and Barry Wells, from left

Vivian May, Carol Faulkner and Barry L. Wells, from left

Additional support comes from the Department of African American Studies (A&S); the College of Arts and Sciences; the Department of History (Maxwell); the Newhouse School of Communications; the Office of Equal Opportunity, Inclusion and Resolution Services (黑料不打烊); the Office of Multicultural Affairs (黑料不打烊); the Department of Political Science (Maxwell); the Department of Public Administration and Public Affairs (Maxwell); the School of Education; the Department of Sociology (Maxwell); and the Department of Women鈥檚 & Gender Studies (A&S).

Co-organizer Carol Faulkner notes the timing of the event, which coincides with the centennial of women鈥檚 suffrage in New York State鈥攁 movement that has had myriad social, economic and political consequences.

鈥淚t is hard to think of three women who have had greater impact on their academic disciplines and on higher education, more broadly,鈥 says Faulkner, associate dean and professor of history in the Maxwell School. 鈥淭hey are public intellectuals whose pioneering careers demonstrate the tremendous impact that Black feminists have made鈥攁nd continue to make鈥攐n American public life. I eagerly anticipate their conversation, which will offer important perspectives on the history and contemporary challenges of the ongoing struggle for racial and gender equality.鈥

Adds Barry L. Wells, special assistant to the Chancellor and co-chair of the CDI: 鈥淭his event is designed for men聽and聽women, in hopes of advancing a vision of racial justice. Only by understanding the intersections of race, gender, sexuality and social class can we unpack the mechanisms by which inequalities manifest. Our esteemed scholars will consider how these dimensions of difference can become sources of identity and collective action.”

Johnnetta Betsch Cole

Johnetta Betsch Cole

Johnetta Betsch Cole

Cole has enjoyed a long, distinguished history in higher education and the arts. In March 2017, she retired as director of the Smithsonian National Museum of African Art, where, during her eight-year tenure, she embarked on a series of groundbreaking exhibitions and education programs, and established the first chief diversity officer position at a Smithsonian museum.

The only person to preside over both of the nation鈥檚 Historically Black Colleges for women, Cole became Spelman鈥檚 first African American woman president in 1987. During her 10-year appointment, Spelman was named the South’s top liberal arts college. From 2002-07, Cole led Bennett College, where she launched, among other things, an Africana women鈥檚 studies program.

Cole is professor emerita at Emory University, where she retired as a Presidential Distinguished Professor. She also has held teaching and administrative positions in anthropology, women鈥檚 studies and African American studies at the University of California, Los Angeles; Washington State University; the University of Massachusetts Amherst; and Hunter College. Cole has written or edited numerous publications for scholarly and general audiences, including several with Guy-Sheftall.

The recipient of nearly 70 honorary degrees, Cole is a fellow of both the American Anthropological Association and the American Academy of Arts and Sciences (AAAS). She has served on many boards, including that of the United Way of America, of which she was the first African American chair. Cole currently co-chairs the American Alliance of Museum鈥檚 Working Group on Diversity, Equity, Accessibility and Inclusion, and serves on the board of Martha鈥檚 Table. She earned a Ph.D. from Northwestern University.

Paula J. Giddings

Paula Giddings

Paula Giddings

Giddings specializes in the social and political histories of African American women. Her best-known book is 鈥淚da: A Sword Among Lions: Ida B. Wells and the Campaign Against Lynching鈥 (HarperCollins, 2008). 鈥淚da鈥 won a Los Angeles Times Book Prize; was a finalist for a National Book Critics Circle Award; and was one of the year鈥檚 best books, according to The Washington Post and Chicago Tribune. Toni Morrison, a Nobel Prize- and Pulitzer Prize-winning American novelist, has called it 鈥渉istory at its best鈥攃lear, intelligent and moving.鈥

Giddings also wrote the acclaimed books 鈥淚n Search of Sisterhood: Delta Sigma Theta and the Challenge of the Black Sorority Movement鈥 (1988) and 鈥淲hen and Where I Enter: The Impact of Black Women on Race and Sex in America鈥 (1984), both from HarperCollins.

A former book editor at Random House and Howard University Press, Giddings is a member of the founding advisory board of the interdisciplinary journal Meridians: Feminism, Race, Transnationalism (Smith College). She also has worked as a magazine editor and journalist, having regularly contributed to The New York Times, The Washington Post and The Philadelphia Inquirer. During the 鈥70s, Giddings was the Paris bureau chief for 鈥淓ncore American and Worldwide News,鈥 and was a member of the press corps for President Carter鈥檚 first trip to Europe, India and the Middle East.

Prior to Smith, Giddings held faculty positions at Spelman and at Rutgers, Duke and Princeton universities. She earned a B.A. from Howard University, and, last year, was named an AAAS Fellow.

Beverly Guy-Sheftall

Beverly Guy-Sheftall

Beverly Guy-Sheftall

Guy-Sheftall is a prolific scholar widely known for editing 鈥淲ords of Fire: An Anthology of African-American Feminist Thought鈥 (The New Press, 1995), a 200-year anthology and history of black feminist theory, and for co-editing with Roseann Bell and Bettye Parker 鈥淪turdy Black Bridges: Visions of Black Women in Literature鈥 (Doubleday, 1979). Both volumes are among the first of their kind in academia.

Other notable books include 鈥淲ho Should Be First: Feminists Speak Out on the 2008 Presidential Campaign鈥 (State University of New York Press, 2010), co-edited by Cole; 鈥淚 Am Your Sister: Collected and Unpublished Writings of Audre Lorde鈥 (Oxford University Press, 2009), co-edited by Cole and Rudolph P. Byrd; 鈥淕ender Talk: The Struggle for Women鈥檚 Equality in African American Communities鈥 (Random House, 2003), co-authored by Cole; and 鈥淭raps: African American Men on Gender and Sexuality鈥 (Indiana University Press, 2001), co-edited by Byrd.

After enrolling at Spelman at age 16, Guy-Sheftall earned a master鈥檚 degree from Clark Atlanta University and Ph.D. from Emory, where she has been an adjunct professor in the Department of Women鈥檚, Gender and Sexuality Studies. Since joining Spelman鈥檚 faculty in 1971, Guy-Sheftall has founded WRRC, the college鈥檚 first women鈥檚 studies program and SAGE: A Scholarly Journal on Black Women鈥攁ll firsts for a historically Black college for women.

In 2017, Guy-Sheftall became an AAAS Fellow. She also was featured in the 2013 PBS documentary 鈥淢akers: Women Who Make America,鈥 which praised her for 鈥渂ringing the women鈥檚 studies movement to women of color, and the voices of women of color to women鈥檚 studies.鈥

Organized and presented by the Humanities Center, 黑料不打烊 Symposium is a public humanities series that revolves around an annual theme. Programs include lectures, workshops, performances, exhibits, films and readings. Located in the Tolley Humanities Building, the Humanities Center serves the campus community by cultivating diverse forms of scholarship, sponsoring a broad range of programming and partnerships and addressing enduring questions and pressing social issues.

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