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Arts & Culture

黑料不打烊 Symposium continues 鈥榗onflict鈥 theme with two-day Ingeborg Bachmann conference

Wednesday, October 13, 2010, By Rob Enslin
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College of Arts and SciencesEventsspeakers黑料不打烊 Symposium

Austrian postwar writer Ingeborg Bachmann is the subject of a two-day conference at 黑料不打烊 titled 鈥.鈥 More than 20 scholars from North America, Europe and Asia will come together for a series of panel discussions on Thursday, Nov. 4, in the Peter Graham Scholarly Commons of Bird Library, and on Friday, Nov. 5, in the SU Humanities Center Seminar Room (304) in the Tolley Building. Each day’s program runs from 10 a.m.-7 p.m., and is free and open to the public.

bachmann2鈥淟ay Down Your Weapons鈥 is part of , whose theme this year is 鈥淐onflict: Peace and War.鈥 The conference is co-presented by the SU Humanities Center and the German Program of The College of Arts and Sciences鈥 Department of Languages, Literatures and Linguistics (LLL). For more information, call the SU Humanities Center at (315) 443-7192.

鈥淭his conference explores the life, work and legacy of one of Austria鈥檚 most influential postwar voices,鈥 says Gregg Lambert, Dean鈥檚 Professor of the Humanities and founding director of the SU Humanities Center. 鈥淏achmann鈥檚 investigation into the nature and limits of language is virtually unmatched. She is an icon.鈥

The conference includes a fall exhibition of rare postwar photographs and texts from the Austrian Foreign Ministry, on the first floor of Bird Library; an exhibition catalog; and a publication of the conference proceedings in English and German.

Born in Austria in 1926, Bachmann studied philosophy at the universities of Innsbruck, Graz and Vienna. She shot to fame in 1953, after receiving a poetry prize from 鈥淕ruppe 47,鈥 an informal group of German-speaking writers concerned with re-establishing the broken traditions of German literature. 鈥溾橤ruppe 47鈥 felt that Nazi propaganda had corrupted their language, so they advocated a style devoid of poetic verbiage,鈥 Lambert adds. 鈥淏achmann鈥檚 sparse language resonated with many young writers at the time.鈥

Until her death in 1973, Bachmann traveled the world, turning out novels, short stories, poetry, essays and opera libretti. Central to her work were dark, powerful images that captured an array of personal and societal ills. Such realism catapulted Bachmann to literary stardom, earning her the prestigious Georg B眉chner and Anton Wildgans prizes in 1964 and 1971, respectively. Her work also influenced the writings of many German-speaking compatriots, including Thomas Bernhard, Christa Wolf and Elfriede Jelinek.

Karl Solibakke, who organized the event in collaboration with Karina von Tippelskirch, assistant professor of German, says that part of Bachmann鈥檚 appeal rests in her universality. 鈥淲ar and the search for collective peace play a critical role in her work,鈥 he says. 鈥淏achmann used her texts to underscore the relationship between remembering and forgetting what happened in Europe after World War II. As a result, she greatly informed postwar art and ideas, including literature, music, art, religion and philosophy.鈥

Solibakke, an accomplished German literary scholar, has assembled an ensemble of A-list speakers: Karen Achberger (St. Olaf College), Mark Anderson (Columbia University), Peter Beicken (University of Maryland), Gisela Brinker-Gabler (Binghamton University), Young-Ae Chon (Seoul National University), Stefano Giannini (SU), Peter Gilgen (Cornell University), Sabine Golz (University of Iowa), Hans H枚ller (University of Salzburg), Kirsten Krick-Aigner (Wofford College), Sara Lennox (University of Massachusetts, Amherst), Vivian Liska (University of Antwerp), Dagmar Lorenz (University of Illinois at Chicago), Robert Pichl (University of Vienna), Karen Remmler (Mount Holyoke College), Helga Schreckenberger (University of Vermont), Karina von Tippelskirch (SU) and Bernd Witte (Heinrich Heine University).

The conference encompasses four major sessions: 鈥淲ar and Peace in Austro-German Literature,鈥 鈥淏achmann and Jewish Cultural Memory After World War II,鈥 鈥淪ounds and Images of War鈥 and 鈥淭heme and Variations鈥; the mini-seminar 鈥淟anguage: Philosophy, Poetry and Authorship鈥; and five keynote addresses.

鈥淥ur goal is to look at Ingeborg Bachmann through a contemporary lens, taking into account her abhorrence of violence on a global, national, civil, institutional and familial level,鈥 says Solibakke, who also is the college鈥檚 assistant dean for finance and long-range planning. 鈥淭he conference should provoke a dialogue that lasts long after the conference is over.鈥

鈥淟ay Down Your Weapons鈥 is co-sponsored by the SU Humanities Center; the Austrian Culture Forum New York; Office of the Chancellor; the German Academic Exchange Service; Regional Holocaust and Genocide Initiative: Resistance, Resilience and Responsibility; LLL; and the Department of Women鈥檚 and Gender Studies.

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Rob Enslin

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