Light Work presents “The Lottery,” a of new works by Pittsburgh-based photographer . In the exhibition, Catanese turns her attention to the tense and confusing state of contemporary politics and culture. Her images bring together large groups of people, barren caverns, natural forces, physical exertion and eruptions both crude and colorful. The accumulated manic puzzle shifts the viewer from crowded street to darkened cavern. Along the way, we see a geyser of oil, streaks of lightning, veins of molten rock and cooling craters. Punctuating these natural phenomena are people in states of glee, pain, confusion and anguish.
Crowd No. 1 (Image by Melisa Catanese)
An opening reception with Catanese will be held on Thursday, March 24, from 5-7 p.m. An artist talk with Catanese will begin at 6 p.m. and be followed by a Q&A with reception guests. Signed copies of her exhibition catalog, “Contact Sheet 216,” will be available for purchase after the talk. The reception and artist talk are free and open to the public.
The exhibition is on display in Light Work’s Kathleen O. Ellis Gallery, located in the , 316 Waverly Avenue, through July 22. Visit the for more information on gallery hours.
Catanese borrows the title of the exhibition from literature. In Shirley Jackson’s famous short story, a village casually embarks on a yearly ritual of selecting an individual and then stoning them to death. Catanese’s “The Lottery” teases out similar themes regarding ritual, culture and the diffused accountability of a mob.
Image by Melissa Catanese
Catanese’s work blends anonymous photographs, press clips and images from NASA’s archive with her own. Single images resemble sentence fragments that Catanese completes with her sequences. Sometimes seamlessly blending in, Catanese’s own images also act as punctuation throughout the work. This creates a sensation of call and response between the archival material and Catanese’s own images that brings to mind the Chauvet Cave in southeastern France. There, brilliant cave paintings date back 37,000 years. Over this enormous stretch of time, additional visitors added their own marks to the cave murals, sometimes with gaps of more than 5,000 years. The idea that collaboration can reach across time, decoding or willfully rethinking, is present throughout “The Lottery.”
makes artist’s books and installations from photographic images, both personal and anonymous. For some years, she has been editing images from Peter J. Cohen’s photography collection of more than 30,000 vernacular and found anonymous photographs spanning the early to mid-20th century. Catanese combines photographs from her own archive with Cohen’s found images to create elliptical narratives. In doing so, she questions photographic authorship and the apparent transparency of the photographic image’s meaning. Her readings become personal, intuitive and openly poetic. She is the author of “Dive Dark Dream Slow” (2012), “Dangerous Women” (2013), “Hells Hollow Fallen Monarch” (2015) and “Voyagers” (2018). Catanese holds a B.F.A. from Columbus College of Art and Design (2001) and an M.F.A. from Cranbrook Academy of Art (2006). She has exhibited work at Aperture Foundation (New York City), Cleveland Museum of Art, Mulhouse Biennial of Photography (Mulhouse, France), No Found Photo Fair (Paris) and Pier 24 Photography (San Francisco). Catanese is the founder of Spaces Corners, an artist-run photography bookshop and project space in Pittsburgh. Her teaching appointments include, most recently, the University of Pittsburgh.
