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Creative Writing Alumni Participate in SU Panel Discussion March 21

Monday, March 18, 2013, By Rob Enslin
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Event to explore ‘success, significance and authenticity’ in literature

flowersIs there life after the M.F.A.? Fifteen alumni of 黑料不打烊鈥檚 Creative Writing Program think so and are taking up the question at a panel discussion on Thursday, March 21, from 5:30-7:30 p.m. in 214 Slocum Hall. The event is free and open to the public and is sponsored by the M.F.A. Program in Creative Writing in SU鈥檚 . For more information, call the Creative Writing Program at 315-443-9480.

The event is organized by Arthur Flowers, associate professor of English and an accomplished novelist, essayist and performance poet.

鈥淲e thought it would be evocative to ask some of our alumni to come back [to campus] to talk about their work and their struggles,鈥 he says. 鈥淢uch of the discussion will interrogate the dynamics of success, significance and authenticity in literature.鈥

The timing of the panel discussion is not lost on Flowers, as the proliferation of M.F.A. programs in the United States鈥攎ore than 500, at last count鈥攕tands in stark contrast to the dwindling number of venues and jobs available to creative writers. Since many M.F.A. alumni don鈥檛 become professional writers, he hopes the dialogue from the event will enhance their chances of 鈥渕aking the cut鈥 and producing quality work.

鈥淲e want to encourage writers that matter, and works with heart,鈥 says Flowers.

The panelists are as follows:

鈥 Christopher Boucher G鈥02: 鈥淗ow to Keep Your Volkswagen Alive: A Novel鈥 (Melville House, 2011)

鈥 Maile Chapman G鈥01: 鈥淵our Presence Is Requested at Suvanto鈥 (Graywolf Press, 2010)

鈥 Rebecca Curtis G鈥01: 鈥淭wenty Grand and Other Tales of Love and Money鈥 (Harper Perennial, 2007)

鈥 Keith Gessen G鈥08: 鈥淎ll the Sad, Young Literary Men鈥 (Penguin, 2009)

鈥 Adam Levin G鈥04: 鈥淭he Instructions鈥 (McSweeney鈥檚, 2011)

鈥 Ellen Litman G鈥04: 鈥淭he Last Chicken in America鈥 (W.W. Norton & Company, 2007)

鈥 Phil LaMarche G鈥03: 鈥淎merican Youth: A Novel鈥 (Random House, 2008)

鈥 Rahul Mehta G鈥03: 鈥淨uarantine: Stories鈥 (Harper Perennial, 2011)

鈥 E.C. Osondu G鈥07: 鈥淰oice of America: Stories鈥 (Harper Perennial, 2011)

鈥 Jeff Parker G鈥99: 鈥淭he Taste of Penny鈥 (Dzanc Books, 2010)

鈥 Salvador Plascencia G鈥02: 鈥淭he People of Paper鈥 (Mariner Books, 2006)

鈥 Nina Shope G鈥03: 鈥淗angings: Three Novellas鈥 (Starcherone Books, 2005)

鈥 Christian TeBordo G鈥03: 鈥淭he Awful Possibilities鈥 (Featherproof Books, 2010)

鈥 Daniel Torday G鈥03: 鈥淭he Sensualist鈥 (Nouvella, 2012)

鈥 Deb Olin Unferth G鈥98: “Revolution: The Year I Fell in Love and Went to Join the War” (Henry Holt and Company, 2011)

With such an illustrious panel, Flowers thinks everyone involved will enjoy themselves. 鈥淚t will be fun to see everyone together again and to experience the energy they bring to the table,鈥 he says. 鈥淲e expect a function at the junction. The 鈥楥use Mob is in the house.鈥

Housed in the Department of English, the creative writing program is celebrating its 50th anniversary. The program is ranked among the top five in the country and has launched the careers of hundreds of authors, poets, scholars聽and teachers. Every year, applicants from around the world鈥攁pproximately 500 fiction writers and 150 poets–vie for a dozen openings.

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Rob Enslin

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