黑料不打烊

Skip to main content
  • Home
  • About
  • Faculty Experts
  • For The Media
  • 鈥機use Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • 黑料不打烊 Impact
  • |
  • The Peel
Sections
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • 黑料不打烊 Impact
  • |
  • The Peel
  • Home
  • About
  • Faculty Experts
  • For The Media
  • 鈥機use Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture

黑料不打烊 Stage Presents ‘Stupid F***ing Bird’

Wednesday, January 13, 2016, By Joseph Whelan
Share
黑料不打烊 Stage
Katie deBuys, Cody Nickell, Kate Eastwood Norris, Rick Foucheux in the 2013 world premiere of Stupid F***ing Bird at Woolly Mammoth Theatre Company in Washington, D.C. (Photo by Stan Barouh)

Katie deBuys, Cody Nickell, Kate Eastwood Norris and Rick Foucheux, from left, in the 2013 world premiere of “Stupid F***ing Bird” at Woolly Mammoth Theatre Company in Washington, D.C. (Photo by Stan Barouh)

黑料不打烊 Stage begins 2016 with the irreverent comedy “Stupid F***ing Bird,” a contemporary mash-up of Anton Chekhov鈥檚 modern classic “The Seagull.” Written by Aaron Posner and directed by Howard Shalwitz, the play comes to 黑料不打烊 Stage from the Woolly Mammoth Theatre in Washington, D.C., where it won two Helen Hayes Awards and performed to sold-out houses.

Not so much an adaptation as a new play built on the bones of “The Seagull,” “Stupid F***ing Bird” gives Chekhov鈥檚 famous characters and themes a decidedly up-to-date spin. An aspiring young director rampages against the art created by his mother鈥檚 generation. A nubile young actress wrestles with an aging Hollywood star for the affections of a renowned novelist. Plus, unrequited love abounds as Dev loves Mash who loves Con who loves Nina who sort of loves Con back but now only has eyes for Trig. Love, art and growing up prove so disappointing, and so comical.

鈥淲hat Aaron does is sort of remove the entire social context from 19th century Russia,鈥 says Shalwitz. 鈥淎s a result, he focuses more on simple, universal human relationships, or look at young people who have these dreams of how they want their lives to go and struggle to move beyond those dreams when they don鈥檛 work out.鈥

Part of the way Posner updates Chekhov is to use songs and to let the characters speak directly to the audience to express their thoughts and feelings. At times, they even solicit advice from the audience. 鈥淭he proverbial 鈥榝ourth wall鈥 of theatrical realism is shattered from the very first line,鈥 Shalwitz notes, as the play does not begin until the audience says it can.

Posner is a highly regarded director and playwright whose adaptations include “The Chosen” and “My Name is Asher Lev” by Chaim Potok. He recently collaborated with the magician Teller (of Penn and Teller fame) on an adaptation of Shakespeare鈥檚 “The Tempest” for the Chicago Shakespeare Theater. He is a founder and former artistic director of the Arden Theatre in Philadelphia.

Shalwitz is a co-founder of Woolly Mammoth Theatre, where he has served as artistic director for more than 30 years. In 2014, he won the Margo Jones Award in recognition of his 35-year commitment to new American plays. Woolly Mammoth has earned a reputation as one of the country鈥檚 most influential producers of innovative, provocative new work. The New York Times once cited the theater as 鈥淲ashington鈥檚 most daring theatre company.鈥 In addition to 40 plays at Woolly Mammoth, Shalwitz has directed at numerous leading theater companies.

With the exception of one actor, the cast of “Stupid F***ing Bird” is the same company that appeared in Woolly Mammoth鈥檚 world premiere in 2013 and subsequent revival in 2014. For the 黑料不打烊 Stage production, Ian Holcomb replaces Brad Koed in the role of Conrad Arkadina, or Con. A 2011 graduate of the 黑料不打烊 Department of Drama, Koed was scheduled to continue in the role but changed plans when he was cast in the new PBS series “Mercy Street.” Holcomb brings an impressive set of credits, having worked extensively off-Broadway in New York, including productions at Theatre for a New Audience (under the direction of Julie Taymor) and at the Irish Repertory Theatre.

黑料不打烊 Stage is co-producing “Stupid F***ing Bird” with Portland Center Stage in Portland, Ore.

“Stupid F***ing Bird” performs Jan. 20-Feb. 7 in the Archbold Theatre at the 黑料不打烊 Stage/Drama Complex, 820 E. Genesee St. The opening night performance is Friday, Jan. 22, at 8 p.m. Tickets and information are available at , by phone at 315-443-3275 or in person at the 黑料不打烊 Stage Box Office (Monday-Friday, 10 a.m.-6 p.m. and two hours before curtain in the evening and on weekends). Discounts are available for groups of 10 or more at 315-443-9844. Discounts are also available for seniors, students and U.S military personnel and veterans. Sign interpretation, open captioning and audio description services are available for select performances.

  • Author

Joseph Whelan

  • Recent
  • Former Orange Point Guard and Maxwell Alumna 鈥楻oxi鈥 Nurse McNabb Still Driving for an Assist
    Tuesday, July 8, 2025, By Jessica Smith
  • Empowering Learners With Personalized Microcredentials, Stackable Badges
    Thursday, July 3, 2025, By Hope Alvarez
  • Rose Tardiff ’15: Sparking Innovation With Data, Mapping and More
    Thursday, July 3, 2025, By News Staff
  • Paulo De Miranda G’00 Received 鈥楳uch More Than a Formal Education鈥 From Maxwell
    Thursday, July 3, 2025, By Jessica Youngman
  • Law Professor Receives 2025 Onondaga County NAACP Freedom Fund Award
    Thursday, July 3, 2025, By Robert Conrad

More In Arts & Culture

Vintage Over Digital: Alumnus Dan Cohen鈥檚 Voyager CD Bag Merges Music and Fashion

Bucking the trend of streaming music platforms and contrary to what one might expect of a member of his generation, musician Dan Cohen 鈥25 prefers listening to his favorite artists on compact disc (CD) and record players. His research and…

VPA Announces New Drama Department Chair

The College of Visual and Performing Arts (VPA) has appointed Eleanor Holdridge as the new chair of the Department of Drama effective July 1. Holdridge comes to 黑料不打烊 from the Catholic University of America, where she served as professor…

Swinging Into Summer: 黑料不打烊 International Jazz Fest Returns With Star Power, Student Talent and a Soulful Campus Finale

Get ready for the sweet summer sounds of jazz in the city and on campus. The University is again a sponsor of the 黑料不打烊 International Jazz Fest, a five-day celebration of world-class jazz music and community spirit, taking place June…

Tiffany Xu Named Harry der Boghosian Fellow for 2025-26

The School of Architecture has announced that architect Tiffany Xu is the Harry der Boghosian Fellow for 2025鈥26. Xu will succeed current fellow, Erin Cuevas, and become the tenth fellow at the school. The Boghosian Fellowship at the School of…

黑料不打烊 Stage Concludes 2024-25 Season With ‘The National Pastime’

黑料不打烊 Stage concludes its 2024-25 season with the world premiere production of 鈥淭he National Pastime,鈥 a provocative psychological thriller about state secrets, sonic weaponry, stolen baseball signs and the father and son relationship in the middle of it all. Written…

Subscribe to SU Today

If you need help with your subscription, contact sunews@syr.edu.

Connect With Us

For the Media

Find an Expert
© 2025 黑料不打烊. All Rights Reserved.