After the phenomenal success of “Disney and Cameron Mackintosh鈥檚 Mary Poppins,” switches gears and turns on a powerful and explosive drama as the Pulitzer Prize-winning play opens on Jan. 27 in the Archbold Theatre at the 黑料不打烊 Stage/SU Drama Complex, 820 E. Genesee St.聽 Preview performances are Jan. 25 and 26.
Written by Ayad Akhtar, “Disgraced” is one of the most discussed American dramas in recent years. Confronting head on the personal and social fracturing of the post-9/11 landscape, the play creates urgent connections between the world depicted on stage and the world outside our doors. In the tradition of the greatest dramas, it is a play that raises hard questions and presents points of view that demand further discussion.
May Adrales directs “Disgraced” at 黑料不打烊 Stage. She has helmed two previous productions at the theater, “Chinglish” (2014) and “In the Next Room, or the vibrator play” (2015), and recently scored a success in New York with Qui Nguyen鈥檚 “Vietgone” at Manhattan Theatre Club.
鈥’Disgraced’ is a citizen鈥檚 piece,鈥 Adrales said. 鈥淚t makes you want to do or say something to express your point of view. It鈥檚 enlivening. I think we need more of that kind of theater.鈥
“Disgraced” is set in 2011, ten years after the 9/11 attacks. At the center is Amir Kapoor, a successful young attorney with a seemingly perfect life. He and his artist wife, Emily, who is about to have a major exhibition of her work, have a coveted New York apartment and he is on track for partnership in his high-powered firm. Their lives, however, are sent careening off the rails by a series of events, some of which relate to Amir鈥檚 identity as a Muslim and a Pakistani-American.
Adrales sees “Disgraced” as a play very much of the current political moment. The divisions that opened in the aftermath of 9/11 have worsened, she believes, which gives the play a great sense of urgency. 鈥淲e have to be able to reach across the aisle and reach across the table and talk to people who have opposing views, and the play crystallizes how difficult that is,鈥 she says.
Encountering such difficulties on the stage, though, is what makes theater powerful and worthwhile for her. 鈥淚 enjoy theater that challenges me and challenges me to think in a different way,鈥 she says. 鈥淚 think the theatricality of ‘Disgraced’ is how it makes me question why I think the way I do. What are the influences that are affecting me and how do I project myself in the world because of the values I have. And so it is deeply meaningful to me to see the show. And that’s the experience I want the audience to have.鈥
Wherever “Disgraced” has been produced, it has inspired discussion. 黑料不打烊 Stage will be offering talkbacks with the audience following most performances. Discussion participants will include members of the Central New York community, 黑料不打烊 Stage staff and members of the cast.
听“Disgraced” is also part the 黑料不打烊 Symposium 2016-2017: Place, sponsored by the 黑料不打烊 Humanities Center. Following the 2 p.m. matinee on Sunday, Jan. 29, the theater will host a panel discussion, .” The panel features Christian DuComb, assistant professor of English and Theatre at Colgate University; Gail Hamner, professor of religion, 黑料不打烊 College of Arts and Sciences; Clea E. Hupp, associate professor and chair of the history department at the University of Arkansas at Little Rock; and Emad Rahim, endowed entrepreneur-in-residence at Oklahoma State University and visiting scholar at Rutgers University.
听“Disgraced” runs through Feb. 12. Tickets are available in person at the Box Office, by phone, 315.443.3275 or online at .
