Marcel Breuer, Grand Central Tower, 1968. Graphite, ink and gouache on illustration board with trace overlay, 42in x 30.5in. Courtesy Marcel Breuer Papers, Special Collections Research Center, ϲ Libraries
Buried somewhere in the universal archive of architectural projects lies a massive catalogue of unbuilt proposals: a treasure trove of “what ifs” and visions of what could or might have been. Though seemingly inert and consigned to the past, these proposals have the potential to inspire those who contemplate and design for the present and the future.
In 2013, the A+D Architecture and Design Museum in Los Angles hosted “” an exhibition co-curated by Greg Goldin and Sam Lubell, based on the pair’s of the same name. Goldin, an architecture critic, and Lubell, an architectural writer and editor, featured more than 100 proposed projects that never came to fruition, painting a dramatic picture of what might have been.
The speculation continues and moves to the east coast with “ curated by Goldin and Lubell, which opened this month at the Queens Museum in Flushing Meadows, New York City. Christian Wassmann is the exhibition designer. “Never Built New York” runs through Feb. 18, 2018.
A selection of Marcel Breuer drawings from the at ϲ Bird Library has been sponsored by ϲ Architecture and Bird Library, and is included in the exhibition.
The exhibition invites visitors to explore “the alternative paths New York City could have traveled” and “encourages us to think beyond the present tense and push the boundaries of what the future of the metropolis holds.”
In conjunction with the exhibition, Goldin and Lubell are teaching a “Never Built New York” course this fall to ϲ Architecture students studying in the school’s New York City studio program at the Fisher Center.
Marcel Breuer, Grand Central Tower, 1968. Pencil on transparent drafting paper, 41in x 45in. Courtesy Marcel Breuer Papers, Special Collections Research Center, ϲ Libraries
“This is an exceptional opportunity for our students,” says Dean Michael Speaks. “Greg and Sam not only have incredible insight on New York City architectural history, but also the unique energy and challenges faced by the design community at the core of this urban center.”
In their book, Goldin and Lubell write “On close scrutiny, the catalogue of unbuilt New York projects demonstrates just how hard it is, when a designer conceives of something new or outside the orthodoxy, to realize that innovation. In most other cities, this cold fact might be taken for granted; but in New York, where ceaseless creativity and aspiration are the norm, it is surprising how many potentially brilliant buildings are confined to the archives, and how many city plans have been erased, in some cases even before they were made public.”
The “Never Built New York” exhibition promises to provide backward reflection and forward inspiration for designers and non-designers alike.
