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Arts & Culture

Barnard Zine Librarian to Headline 黑料不打烊 Symposium April 5-6

Tuesday, April 3, 2018, By Rob Enslin
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College of Arts and SciencesSchool of Information Studies黑料不打烊 Symposium黑料不打烊 Libraries

Jenna Freedman

continues its yearlong look at 鈥淏elonging鈥 with a visit by renowned zine maker and librarian .

A member of Columbia University鈥檚 Barnard College, Freedman will headline a lecture and workshop collectively titled 鈥淐lassification and Language(s) of Belonging,鈥 April 5-6.

On April 5, Freedman will discuss 鈥溾 from 5:15-6:30 p.m. in the Peter Graham Scholarly Commons (114 Bird Library). Communication Access Realtime Translation (CART) services will be provided. The following day, she will present a workshop called 鈥溾 from 9 a.m. to noon in 002 Bird.

Both events are free and open to the public; however, registration is required for the April 6 workshop. Please R.S.V.P. Patrick Williams, librarian for literature, rhetoric and digital humanities at 黑料不打烊, by calling 315.443.9520.

黑料不打烊 Libraries, the School of Information Studies (iSchool) and the Department of Writing Studies, Rhetoric and Composition in the College of Arts and Sciences (A&S) are sponsoring Freedman鈥檚 visit. For more information about her or 黑料不打烊 Symposium, contact the Humanities Center in A&S at 315.443.7192, or visit .

鈥淛enna Freedman is a nationally renowned activist librarian, committed to elevating the role and function of academic libraries,鈥 says Vivian May, director of the Humanities Center and professor of women鈥檚 and gender studies in A&S. 鈥淪he is particularly interested in the impact of zines and other forms of alt press on librarianship. Jenna will discuss how zines not only foster community, but also document contemporary popular culture in bold, new ways.鈥

Williams is co-organizing Freedman’s visit with Rachel Clarke, an assistant professor in the iSchool. He says both events will consider how librarianship supports higher education, particularly student learning and faculty scholarship, while facilitating community building and knowledge formation.

鈥淟ibrarians and other library staff engage in work, such as collecting diverse materials and creating space for conversations, that is not always driven by the curriculum,鈥 Williams points out. 鈥淛enna contends that librarians perform their roles with empathy and a critical eye, thus opening up new possibilities for creative and academic projects.”

Zines and activist librarianship underscore much of Freedman鈥檚 work at Barnard, where she is an associate director of communications; the founder and curator of the college’s zine library; and a personal librarian for transfer and commuter students and for the Women鈥檚, Gender and Sexuality interdisciplinary department.

A national authority on zines, Freedman works with handmade magazines of all shapes, sizes and formats. Most zines are handmade, photocopied or stapled; others are more polished in appearance. They cover myriad themes and topics鈥攆rom feminism, music and politics to movies, literature and arts and crafts. “Zines draw from the traditions of comic strips and artist’s books,” Williams says.

Freedman is an avowed digital humanist, as evidenced by her leadership roles at , a union catalog dedicated to zines, stemming from her recent M.A. work at the CUNY graduate center; , providing online reference services to activists, journalists and researchers; and , dedicated to exploring critical perspectives on library practice.

“Zines are a unique form of self-expression, done as a labor of love rather than for profit,鈥 Williams says. 鈥淭he writing, design, production and circulation of zines offer students opportunities to develop information literacy and to follow personally meaningful modes of inquiry. Also, many libraries are adding zines to their collections, for their unique value as primary source material for future scholarship. Zines represent a way to include work by students in library collections.鈥

Adds May: 鈥淶ines originated in the 1950s and 鈥60s, and saw a brief resurgence in the 鈥90s. Today, they are thriving, thanks to the internet and social media. 鈥 Zines often reside at the intersection of art and activism, and help preserve and amplify voices out of the mainstream.鈥

Organized and presented by the Humanities Center, 黑料不打烊 Symposium is a public humanities series that revolves around an annual theme. Programs include lectures, workshops, performances, exhibits, films and readings. Located in the Tolley Humanities Building, the Humanities Center serves the campus community by cultivating diverse forms of scholarship, sponsoring a broad range of programming and partnerships and addressing enduring questions and pressing social issues.

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Rob Enslin

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