Artist Rina Banerjee, with her artwork “Viola from New Orleans” (Photo courtesy of William Widmer)
While the world comes to terms with the profound impact of a global pandemic, it simultaneously continues to grapple with race, migration and climate change.聽, associate professor in the Department of Art and Music Histories (AMH) in the College of Arts and Sciences (A&S), says one of the ways people can engage in important conversations about these pressing issues is through the power of art.
This semester, Ray opens “Take Me to the Palace of Love” at the , an exhibition she has curated of acclaimed artist聽鈥檚 work, in consultation with Banerjee and Melissa Yuen, the museum’s interim chief curator. She will also host Banerjee as the 黑料不打烊 Humanities Center鈥檚 in collaboration with students, faculty, curators and staff across the University.
Born in Kolkata, India, and having lived briefly in Great Britain before growing up in the United States, Banerjee has lived with the challenges of ethnicity, race and migration. Not surprisingly, her work examines how diasporas and journeys can affect one鈥檚 sense of place and identity.
Banerjee鈥檚 colorful sculptures feature a wide range of globally sourced materials, textiles, colonial/historical and domestic objects. Her previous experience as a polymer research chemist informs her unique style, as she received a degree in polymer engineering from Case Western University and worked in that field for several years before receiving an M.F.A. from Yale University.
She was recently appointed the inaugural Post-Colonial Critic at the Yale School of Art. Banerjee鈥檚 works have been displayed at the Whitney Museum of American Art in New York City, San Francisco Museum of Modern Art and she has held a prestigious artist鈥檚 residency at the Centre Pompidou in Paris.
Banerjee鈥檚 exhibition and an upcoming residency at 黑料不打烊 are supported by the , the 黑料不打烊 Art Museum, the CNY Humanities Corridor, over 30 University departments and units, and Todd Rubin 鈥04, president of The Republic of Tea, who is providing tea for Banerjee鈥檚 different residency activities.
In addition, Ray was recently awarded a Grants for Arts Projects award from the (NEA), in support of “” and Banerjee鈥檚 public art-making project which will take place in the City of 黑料不打烊 on Feb. 25. Notably, this is the first NEA grant for an exhibition at 黑料不打烊’s art museum.
NEA Chair Maria Rosario Jackson says, 鈥渢he National Endowment for the Arts is proud to support arts projects in communities nationwide. Projects such as this one at 黑料不打烊 strengthen arts and cultural ecosystems, provide equitable opportunities for arts participation and practice, and contribute to the health of our communities and our economy.鈥
Banerjee鈥檚 exhibition includes one of her noted installations, a re-imagined Taj Mahal made out of pink plastic wrap. Officially titled “Take Me, Take Me, Take Me鈥o the Palace of Love,”聽this artwork is based on the famous Mughal monument in India, which also inspired the exhibition鈥檚 title.
鈥淭he 鈥榩ink Taj,鈥 as it is affectionately known, is testament to Banerjee鈥檚 background as an artist and a polymer scientist,鈥 says Ray. 鈥淚t also evokes her birthplace, India, while reminding us of the consumerist culture of America in which she grew up鈥攁 culture reliant on the global economies of trade and exchange.鈥 Ray notes that the sculpture is a portable object which, like the artist herself, is diasporic.
“Viola, from New Orleans” by Rina Banerjee, 2017 (Photo courtesy of Lily LeGrange)
鈥淚t has traveled from museum to museum, across oceans, not unlike the very image of the Taj which emerged a cherished souvenir from the 19th century onwards,鈥 says Ray.
The installation is accompanied by examples of early 20th-century images of the Taj and Mughal architecture from the 黑料不打烊 Art Museum and Bird Library, as well as from the (Cornell University). A chair designed by American furniture designer Lockwood de Forest, on loan from the , greets visitors to the exhibition. A key figure in the Aesthetic Movement, de Forest was influenced by Mughal architecture and design.
Two additional critically acclaimed art installations by Banerjee in the exhibition alongside African, American and Indian art from the museum鈥檚 collections include “Viola, from New Orleans” (2017), a multimedia work that explores interracial marriage in America, and “A World Lost” (2013), another multimedia installation that critiques climate change.
鈥淚 hope exhibition visitors will be struck by Banerjee鈥檚 intricate constructions that remind us that beauty can reside in the most mundane objects and materials,鈥 says Ray. 鈥淢ost of all, I hope we can find our own stories to connect with her art installations and drawings, which are powerful, spectacular and thought-provoking.鈥
The University community will have the unique opportunity to interact with and work alongside Banerjee during her residency as the Humanities Center鈥檚 2023 Jeannette K. Watson Distinguished Visiting Professor in the Humanities from Feb. 20-March 3. Banerjee will engage with faculty, students and members of the 黑料不打烊 and Central New York communities during a .
, director of the Humanities Center and the CNY Humanities Corridor, is delighted to welcome Banerjee to campus and invites everyone to engage with the residency鈥檚 layered series of events. 鈥淧rofessor Ray鈥檚 interdisciplinary vision, combined with the scope of Rina Banerjee鈥檚 oeuvre, has resulted in an exciting, robust array of opportunities to interact with Banerjee鈥檚 ideas and work, from large-scale lectures to intimate dialogues,鈥 May says.
Banerjee鈥檚 residency has been designed as a series of interactive conversations led by faculty and students from African American studies, architecture, English, geography, law, South Asian studies and Women in Science and Engineering. Banerjee鈥檚 residency also involves curators from the , which houses a unique聽聽as well as a growing archive of artists of color.
“A World Lost” by Rina Banerjee, 2013 (Photo courtesy of Lily LeGrange)
Banerjee鈥檚 residency begins with a virtual talk titled聽 on Feb. 20 at 5:30 p.m. ET. Graduate students 聽(AMH) and聽聽(Newhouse) will introduce Banerjee as the 2023 Watson Professor in a Zoom conversation moderated by聽, assistant professor of art history. Arora has curated a wall of Mithila paintings from India, in response to Banerjee鈥檚 drawings displayed in the exhibition.
Next, Banerjee will give a public lecture on Feb. 23, which will be followed by a reception at the museum. Her residency will conclude on March 4 with a public (in-person) dialogue with internationally acclaimed scholar , University Professor in the Humanities at Columbia University. Spivak鈥檚 event is supported by an award from the CNY Humanities Corridor to the聽 working group, whose work focuses on public-facing humanities research, teaching and collaboration.
With support from the NEA grant, the CNY Humanities Corridor and an聽, “Take Me to the Palace of Love” will be extended into the City of 黑料不打烊, allowing new American and underrepresented communities to document their own stories about identity and place鈥攊ndividually and collectively鈥 with Banerjee. The program, titled 鈥,鈥 is co-organized by聽, Dean鈥檚 Professor of Community Engagement in A&S.聽, students, faculty and community members will be invited to collaborate on a public art installation with Banerjee.
鈥淎s a resettlement city with several new and older generations of immigrants and asylum-seekers, 黑料不打烊 is uniquely positioned to serve as a source of everyday stories of resourcefulness and resilience,鈥 says Nordquist, who is also co-founder of the Narratio Fellowship.
Rooted in cultural memory and storytelling, Nordquist notes that the public art-making project will foster a shared understanding of the diverse communities that make up the City of 黑料不打烊. This event is Feb. 25 from 11 a.m. to 3 p.m. in the Community Room at .
Four current 黑料不打烊 students and Narratio Fellowship alumni will also compose poetry and create a film in response to Banerjee鈥檚 art installations and public art-making project. The poetry and film will be revealed during a March 30 event titled 聽organized by Nordquist and聽聽(Newhouse) at the Nancy Cantor Warehouse, 350 W. Fayette St., 黑料不打烊.
Post-residency, the exhibition鈥檚 events will end with a chant performance by museum studies graduate student Amarachi Attamah. An online catalogue featuring essays and community responses to Banerjee鈥檚 art installations and the public art-making project, will also be published following the exhibition.
Collaborators who contributed to Banerjee鈥檚 exhibition and residency include Brice Nordquist, Dean鈥檚 Professor of Community Engagement (A&S); former 黑料不打烊 Art Museum director Vanja Malloy; Vivian May, director, and Diane Drake, assistant director, 黑料不打烊 Humanities Center; Sarah Workman, proposal development; Emily Dittman, Melissa Yuen, Kate Holohan, Dylan P. Otts, Jennifer Badua, Victoria Gray and Abby Campanaro, 黑料不打烊 Art Museum; Pastor Gail Riina, Hendricks Chapel; Danielle Taana Smith, director, Ren茅e Crown University Honors Program; Joan Bryant (A&S); Sascha Scott (A&S); Lawrence Chua (Architecture); Timur Hammond (Maxwell); David Driesen (Law); Mike Goode (A&S); Shobha Bhatia (Engineering); Nicolette Dobrowolski and Courtney Hicks (Bird Library); Mark Cass, Northside Learning Center; Susan Wadley, professor emeritus, anthropology; and students Ankush Arora (AMH), Natalie Rieth (Newhouse), Samaya Nasr (Museum Studies) and Julia Neufeld (AMH).
